At the same time, Kipner and Frank, who produced the track, weren’t sure if a balladeer like Christina could handle the song. Initially, Christina wasn’t sure about “Genie In A Bottle.” The song, a late addition to Christina’s self-titled debut, wasn’t the way that she wanted to present herself to the world. The track was originally called “If You Want To Be With Me,” but Aguilera’s manager knew that “Genie In A Bottle” was the better title. But Christina Aguilera’s team pushed hard for the song, and they got it. The song almost went to Innosense, the Lou Pearlman-managed girl group that Britney Spears had almost joined. Paula Abdul wanted the track, which would’ve made for a weird sliding-doors moment. Once the “Genie In A Bottle” demo started making the rounds, the songwriters started getting calls. (Kipner’s father Nat produced “Spicks And Specks,” the Bee Gees’ first Australian hit.) Later, Kipner led the band Tin Tin, whose Maurice Gibb-produced 1970 single “Toast And Marmalade For Tea” reached #20 on the Hot 100. Kipner got his start in the mid-’60s as the teenage frontman of a band called Steve & The Board, who recorded for the same label as the young Bee Gees. It took an unlikely trio of music-business veterans to write “Genie In A Bottle.” The most seasoned of them was Steve Kipner, who was born in Ohio but who’d grown up in Australia. Aguilera idolized Mariah Carey, and she wanted her first RCA single to be a grand ballad, since that’s what Mariah had done with “Vision Of Love.” But Fair read the tea leaves, and he knew that an uptempo dance-pop jam would help her break through. RCA A&R rep Ron Fair put serious resources into Christina, lining up big-deal songwriters for her debut album. Christina was pursuing a contract with RCA while she was going after that Disney gig, and her performance on “Reflection” impressed enough people that the label quickly signed her.
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